Wednesday, April 6, 2011

Ouch (Mia Cicatrice Non Guariscono Per Sempre)

Recently I was chipping dried mortar off the back of a small mosaic piece so I could reset it somewhere else. The chipping off was going great with a sharp new hammer (recently purchased from the Tabularasa company in Italy).













As I held the piece in my left hand, I struck for about the fifth time, but forgot to take into account that the mortar had a 'rubberized' additive in it. So, it was more of a glancing blow off the piece which allowed the sharp pointy carbide end of the hammer to nestle deeply in my left thumb.

Oh, the words I said when this happened... as much because of my stupid carelessness as for the actual pain. I can take quite a bit of pain, but this was absolutely 'stub 15 toes at one time' excruciating.

After wrapping it in a cold paper towel and applying pressure, the blood finally stopped. Without stiches, I now have a scar that still hurts a bit when I apply pressure in a wrong direction.

Scars can be a good metaphor for what happens in life sometimes. It made me think of a girl I knew when I was in my second year of high school, Lauren. We had been going out for about 4 months which was forever for a high school kid. She was beautiful with long black hair and bright green eyes, and possibly one of the smartest and nicest girls I knew. Summer nights at the waterpark, autumn mornings at band camp (no jokes), with so many common interests it was all perfect.

One November afternoon sitting around the dining table with sunlight streaming in the window, my father told us all that we'd be moving from Dallas to the middle of nowhere (west of Ft. Worth) to help my grandfather drill oil wells. Being a quick lad, I immediately calculated the impact of this catacalysmic event to my situation with Lauren with the lightning like efficiency of at least 100 Commodore 64 computers.

The days which followed were filled with a wistfulness that is hard to describe. As a final gesture, I bought her a jewelry piece the likes of which my 16 year old's allowance savings could just barely manage. It was 20F outside and ice and snow everywhere, but I walked it over to her house located about three miles away as a last Christmas present. All of my extremities were numb, even my soul. I understand why she was sad, but I was surprised to see her mom cry about it.
To this day, that scar still hurts if I move it the wrong way.

Tuesday, March 29, 2011

Hooked on Sardonyx (Affeto Sardonice)

It's a cloudy dreary chilly day in Dallas, which is fine because it all goes well with my mood today. Downtown, the streets are filled with people on their way to lunch.



















I've just ducked into one of my favorite places called Porta di Roma, a Chinese takeout place. Just kidding, it's Italian food. The name means 'gateway to Rome', but no matter how many doors I open here I can't see Piazza Navona through any of them.

The food is really authentic and the view is great because it's directly across from Neiman Marcus, the famous high end retailer. People watching is at its best in Dallas here. You can see millionaires pull up in chauffeured stretch cars, or maybe a homeless guy wearing a baseball cap with wings slowly pushing a shopping cart with watermelons dressed like Cabbage Patch Kids (tm).

As for myself, I need to stop back into Neiman Marcus today because:
a) my personal shopper there has rent due soon and keeps tweeting me
b) they finally have their secret cookie recipe for sale as in the urban legend, or
c) I want to see if the sardonyx bowls that were full price last year on sale now

As is the case when taking tests, 'C' statistically is the right answer.

Sardonyx is a type of onyx / calcite with just the right red / brown colorations that nice sconces and lighting fixtures try to copy with patinated glass. But, this is the real mineral deal that was used for thousands of years and usually worth more than gold.

In Venice, in the treasury of the San Marco cathedral, they have wonderful sardonyx treasure cups taken back in the fourth crusade like this one with the lower section in the rare stone.


















Going back further, first century Romans created great works with it as the cup of the Ptolemies and 'Great Cameo of France' below.




























I'm kind of a sculpture guy first, so you can understand my appreciation for a material that is so workable like this from a carving standpoint, and also has such beautiful color and translucency.

Some nice sardonyx sconces are called for in my media room. It's probably not a good idea though to just hang the Neiman Marcus bowls on the wall with duct tape and bailing wire? I think they were $11,000 last year.

Sunday, March 20, 2011

Mongorians (i Mongoli, fanno carne buona!)














Well, well, well my blogchum lovelies, it's been a busy week and a half-ish, but we meet again. I've chopped more mosaic marble pieces than I'm comfortable to admit. Also, I'm working on some top secret art projects that only a dear few know the details of, but in the meanwhile...

Let's talk about some Changs... On OWO's blog, I think I commented about a Mongorian Beef recipe that was pretty good, so maybe it is high time that it was shared amongst the blogosphere with its rich Mongolian goodness, oops Mongorian goodness. You can make this in the privacy of your place without having to see what's on the giant horses' end at the restaurant.











The Ingredients (stuff to put into said recipe)

The 'sauce'
2 tsp veg oil
2 tsp minced ginger
1.5 tbsp minced garlic
1/3 cup dark soy sauce
2/3 cup water
1/2 cup brown sugar
1/2 tsp cayenne pepper

The 'meat'
1/4 cup oil
1.5 lb flank steak
1/3 cup cornstarch
large green onions


First make sauce by heating the veg oil in pan on medium. Add ginger / garlic and do a miniature stir fry for a few minutes, it makes you feel like a giant. 'HA HA HA, I'M A GIANT MAKING A NORMAL SIZED STIR FRY.'
Then, add the soy sauce and water mix (1 cup total) into the fray that is the wee stir fry.
Next, melt the brown sugar in as if it were the wicked witch of the west.
Boil it all for about 3 minutes until slightly thicker, then cut off the heat and pour the sauce off somewhere (like in a bowl or something).

Ok, now get out the steak and slice it all into quarter inch strips with a really wicked sharp knife against the grain of the meat and at a 45 degree angle to the plate (so there is more surface area of the beef).
Put the cornstarch over the beef and work it in as if you were Danny DeVito luckily getting to give a massage to Holly Hunter (it's totally extra credit if you get that reference). Let the meat with cornstarch on it sit for 10 minutes while the 'meat oil' heats up if you know what I mean (because oil was put in the pan and you turned the burner on).

When hot, throw the meat on and brown it a bit, then add the sauce (remember that bowl you saved), let that boil for a few minutes, and finally add the green onions.
Stir it around in the hot wetness until the onions go wilty (the metaphor is almost poetic in its simplicity).

Anyway, I hope this will be helpful until the next post in which I will put up something art and or neoclassically related in some form.

Tuesday, March 8, 2011

Deja Vu

So I have to ask, have you read this blog post before?

Some years ago, I'd read a book called 'Innumeracy' by a fellow named Paulos. In it, he pointed out how most people don't have a good scale for measuring the probabilities of an incredibly vast number of possible events.

We tend to remember the one match of millions of things that we might have thought of subconciously. At that moment, we might have a strong sense of deja vu or enthusiastically inform people 'Yes, I dreamed this would happen!' So much input gets processed by our brains without really noticing what all is going in.

Still, it's hard to shake the notion that sometimes the premonitions (for lack of a better word) are a bit too accurate. It can be frightning at times. I'm sure that many others have these prophesorial visions that seem to come true also, but here are some of mine.


1) Mid-day December 23, 2010 - Driving to the mall, I switched the car radio and predicted the Mariah Carey 'All I want for Christmas' song would play. AND IT DID. Is she related to Drew Carey?

















2) Afternoon of January 7, 2011 - I kind of thought the whole Charlie Sheen thing wouldn't work out well.












3) Morning of February 2, 2011 - Visions of Oriental Salad with Macadamia Nut Chicken at Kona grill appeared before me in my sleep. That very day, I found myself inexplicably at lunch eating the very same food!













4) March 30, 2010 - Dreamed that in my office, I had a very real increased gravity feel, and light became blindingly bright out the window, and I saw a face of the Ahmadinejad guy from Iran. Luckily this one has not come true yet.

What premonitions or deja vu incidences have you had? Do any of them repeat?

Monday, February 21, 2011

SAMA, Now With More Tesserae (Incontro di SAMA)

Last week I went to the SAMA conference (mosaic stuff). It turned out better than expected because they had dropped me from workshops which I had registered for months before, so the legendary 'bar of expectation' wasn't set too high. Speaking of bars, that's how my family became so wealthy you know, we invented the bar that people set on the grocery conveyers to separate sales, it's all very lucrative.

On Wednesday, I took a class on micro mosaic taught by the famous Antonella Gallenda. The entire result was only about 4cm x 4cm. I like to think of it as the 'microfilm' which Roman spies had used thousands of years ago to smuggle out important state secrets. I've seen good results from some of my friends, but really, it was a major fail for me (partly because I picked an ambitious project, a copy of the ceiling of the Sistine Chapel by Michaelangelo, and there was not enough time to finish).

On Thursday, a silent auction occurred. This is the one time I like to do my own bidding, especially when I actually win something. I've done some auctions at the DMA in which the sheets get filled up too quickly, and with entirely too many zeros at the ends of the prices.

This is the work that I was able to win, 'Texas Souvenir' by Julie Richey. It's going in a bar area on the wall with a museum quality plaque(not just precariously leaned up as it is now).













On Friday night, there was a gallery presentation at the Mexican American Cultural Center. It was closed the day before and events were cancelled. They said something about not being able to find enough workers to scrub the floors. But, the floor was absolutely sparkling for the exhibition, so hats off belatedly to MACC.














Below, someone is tickling the toes of Carol Shelkin's work. The girl depicted in the mosaic seemed to laugh at this.











Besides good rendering, Carol does a good job with tonal relationships even though the hue choices are far apart. It's one of the things that makes her work interesting to me and I'm sorry that I missed her workshop due to the evil SAMA computers.


I also saw glass flavored ice cream...

















Here is Julie Richey's 'La Corrente' behind bulletproof glass. The Declaration of Independence was over to the left of it as I recall.


















The vendor fair was great, with good selection. I backed my chariot up to the entrance and loaded it all down. I had an opportunity to speak with the lady who formulates a new glass smalti from China, imported by 'Peace, Love and Smalti' in Dallas. Or, was that 'Piece, Love and Smalti'? I'll have to check, but anyway the glass scientist really knew her stuff and it's an exciting product.

Disturbed hand drawn general presentation notes of mine will follow...

Wednesday, January 26, 2011

Recent Films (Cigni Troppi in Film)

Being quite busy at work lately, I haven't had time to see as many films as I usually do. Some friends recently told me about one that sounded really strange called 'Black Swan'. The tedium of a dancing 'chick flick' might be offset by seeing the lovely Natalie Portman running around in tights, but not so fast Hollywood...


















I think we all have already seen this film! I distinctly remember Natalie in 'Red Swan'. And wasn't Lea Thompson also in 'Red Swan'? She had the most hilarious line after the invasion when the town was blown up and her character quite emotionally observed 'Things are *different* now!' Lea, if you ever read this, please send me a black and white PR photo signed 'Things are different now!', because that works on so many levels.

















Anyway, back to the task at hand. Natalie also starred in 'Purple Swan'. Does the film industry have no shame? They didn't even cast a different actress!

















But they don't even stop there, remember when Natalie Portman portrayed 'Blue Swan', set in sixteenth century France?














I just don't get why Hollywood feels the need to recycle all of these films. For example, how many 'Batman' films do we really need?


I did get a chance to see 'The Tourist' recently, and sure the plot was predictable and it was a bit silly. But, it was set in Venice, and it was fun, and Angelina was in it, and did I mention it was set in Venice?

Sunday, January 2, 2011

Happy new year to all! I unfortunately was reminded recently that my personal champagne consumption is not, in fact, unlimited. It was nothing that a few Advil and hours in the spa couldn't cure though.

Santa duck below was still drinking a tasty beverage while I was recovering.













A few days ago I was excited to find a book about painting for sale by one of my favorite contemporary artists, Juliette Aristides. The Classical Painting Atelier goes through the logical curriculum of the way that painting was taught before modernism and 'concept' art (Sorry Mr. Pollock, but I will never see the incoherent scribbles as art). It's been out there for a while, but I had not seen it in the store.

I'm already through four chapters, and the painting exercises are great. Juliette's book has the forward written by Mr. Ross at the Art Renewal Center (listed over there as my favorite art group for some time now). Mrs. Aristides uses very little superflous writing, it's all to the point. And many of those points are made very quickly, I've found myself rereading some sections to make sure I don't miss anything.

I need to ask if any of her students at Gage Academy have some old practice paintings of casts they wouldn't mind selling.