In deciding on a Venice itinerary for this fall, I made plans to stop by the famous
Domus Orsoni in sestiere Cannaregio. This place makes the best glass pieces for mosaics, and is also famous for their gold leaf crystal. They have nice rooms to stay in, but there are more luxurious places with balconies and terraces on the Grand Canal.

But check out the great golden shower you can get in guest room four at Domus Orsoni...

I used some of this same 24k Orsoni gold leaf glass in some 3" mosaics I'm making for the new pool to be constructed. The contractor asked if I wanted 'step spotting' tiles so
drunk uncoordinated visitors wouldn't fall whilst getting into or out of the pool. Being the hands-on type of guy I am, I decided to make several small mosaics as 'step spotting' tiles and just have those set in instead of boring one color tiles. I'd cover the whole bottom of the pool myself if I had the time, but I want to do the decking and probably carve some statues in carrara marble. So, maybe I'll just let that 'ultimate mosaic' pool part of the dream go for now.
Here is one of the mini-mosaics using gold Orsoni glass, marble and a bit of porpyry in a picture taken from atop a ten story parking garage downtown to make it more dramatic. *dramatic music plays*

Glass making in the Venice area has a long and profitable history. It has been made there for around 1000 years. From master craftsman to apprentice, the secret recipes of silica, lime, sodium oxide, arsenic, nitrate and coloring agents (or manganese oxide in the case of clear glass) in just the right proportions and in the correct order of processing have been handed down.
One of the Venice glass companies, Barovier & Toso, was formed in 1295 AD. They probably have one of the oldest corporate websites in the world too.
Hopefully, after Luciana's class in Ravenna this Fall, mosaic making with glass and smalti won't be so foreign to me compared with stone and marble. I tried using Leponitt cutters for the first time on the gold glass pieces on Sunday, and it was difficult. Leponitts are spring loaded pliers with two glass cutting wheels that come together to score the glass. Of course, I was using them more like tile nippers, handily crushing the glass underneath.

If you want to check out a modern glass artisan, go to
Valerie's blog because she knows more about it than I ever will. Maybe I can pay Valerie to kiln up some smalti so I don't have to lug back 100kg of glass on the plane?
Does anyone else like the iridescence that occurs on ancient Roman glass? After thousands of years, some of the elements such as copper based impurities float to the surface of the glass giving it the rainbow and shimmer effect. It always amazes me that there is so much Roman glass left, what with glass being breakable and the ancients living with stone floors. Maybe it's thicker?

Ho fatto i mosaici per i scale della piscina. Usato lo smalti oro di Orsoni, lo spero non rende ciechi a causa del sole.