Ohhhh... Vel Hellloooo der...
Below is a small realism work that caught my eye at the Ft. Worth Art Fair last year, 'Aunt Irene's Sugar Jar' by Brad Watson, so I bought it unframed. The frame I put on it is a standard barrister type with copper gilding done by yours truly with a bit of burnt umber over it to get rid of that annoying 'new penny' look and mix better with the colors presented in the painting.
A comment a few days ago from yet another funny Brit, The Jules, reminded me of gilding and some of the work I have done in that craft. Let's face it, most people can't afford to manufacture things out of solid gold, and even if they could, for things like crown molding, picture frames, or largish SUVs like Hummers, it would really be too heavy. So the idea is to cover the object with a thin layer of gold so you have the illusion of being gaudier than Donald Trump in a full length fur coat on jewelry bling day.
In ancient times they used some methods of gilding that, well, let's just say they were not particularly environmentally friendly. One such method was called fire gilding. It involved mixing gold with mercury.
Now not many people know that gold dissolves into mercury, which can be used to greatly amuse people you meet at cocktail parties. 'Who wants to see a magic trick? May I borrow your Rolex for a moment, Miss?'
Anyway, the gold-mercury mixture was brushed onto the object that needed to look like gold and then was exposed to a hot fire which vaporized the mercury, leaving the gold behind in a perfect shell. The color of this perfect shell was a little dull, so they apparently used agates to rub it down to get it back to a more brilliant yellow color.
Back then as today, inhaling mercury vapors is NOT a good thing. Some historians say that 60 workmen were killed by fumes from the fire gilding of the dome of St. Isaac's Cathederal in St. Petersburg, Russia. So whenever I burn mercury in alchemy experiments, I use a diving snorkel with fins and stand way back (kidding, DON'T do this).
Now not many people know that gold dissolves into mercury, which can be used to greatly amuse people you meet at cocktail parties. 'Who wants to see a magic trick? May I borrow your Rolex for a moment, Miss?'
Anyway, the gold-mercury mixture was brushed onto the object that needed to look like gold and then was exposed to a hot fire which vaporized the mercury, leaving the gold behind in a perfect shell. The color of this perfect shell was a little dull, so they apparently used agates to rub it down to get it back to a more brilliant yellow color.
Back then as today, inhaling mercury vapors is NOT a good thing. Some historians say that 60 workmen were killed by fumes from the fire gilding of the dome of St. Isaac's Cathederal in St. Petersburg, Russia. So whenever I burn mercury in alchemy experiments, I use a diving snorkel with fins and stand way back (kidding, DON'T do this).
Here is a mercury fountain in Spain that would probably help out with all of this.
The method I used for the picture frame border was glue gilding in which adhesive is brushed on, then gold leaf follows (or in the frame example above, copper leaf). In my experience, a fan brush worked best with this technique. Then you let it dry, and don't be afraid to put on multiple layers to make it really thick.
Maybe a really good trick to thwart burglars would be to gild all of your gold bullion bars with Velveeta, unless they were hungry for some queso and corn chips because that must be lots of work moving all those heavy expensive items out of houses. In any case, I suppose it would take them a while to scrape all the gilding off the media room moldings.
Maybe a really good trick to thwart burglars would be to gild all of your gold bullion bars with Velveeta, unless they were hungry for some queso and corn chips because that must be lots of work moving all those heavy expensive items out of houses. In any case, I suppose it would take them a while to scrape all the gilding off the media room moldings.
Per favore, non utilizzano mercurio per doratura!!!
