The News (Notizie)

Hello Blogchums!

What's been going on, you might ask? I reckon a few things, work is always a factor, but there are many moving parts to this 'macchina' called life.

My brother drilled his first oil well, bravo. Production is a little light at around 20 barrels per day, but well done regardless! He's diving that big reef off of Australia at the moment and has plans for many more in the near future.

















My sister *still* hasn't found a job (she's 27 and lives with my mother). But, she makes good vegetarian food and smokes cigarettes more adeptly than most people I know.

As for me, I've been keeping up with my regimen of liking cookies, sculpture, mosaics, macro economics, archaeometry, reading your blogs, encryption, and ancient history. Note my use of the Oxford comma, which is a lifestyle choice much like the proper way of putting the toilet paper in which the end rests over the roll instead of under, the latter probably being the exclusive purview of of dog thieves, insurance salesmen, and Nazis.

This autumn, I'm heading to Italy to take another advanced mosaic class in Ravenna. This is brought on mostly by my desire to make the mosaic centerpiece I have planned outside appear better than stick figures. My enormous white marble deck is progressing slowly because of my other work, but I'd like to think it will be finished some day.

















Also on the to-do list while in Italy is to visit the ancient island of Sardinia. I hope that they have the kind in olive oil and not just mustard or something gross like that. Kidding, everyone knows sardines are exclusively from Norway which is what you purchase in excessive quantity when you go there...













Lately, I've purchased some art by people whose technical abilities I admire. Andjelka in Serbia sold me her eye, well, not her real eye. Just an incredibly well rendered example of how mosaics should be. But now, I am busy fabricating a custom frame for it.


I hope that you all are having a great summer so far!

Sometimes, Insects Decide (Decidere di Insetti)

This past Friday, I had received a shipment of an extraordinarily expensive and rare stone from Rome to use in an art project. It was the legendary 'imperial porphyry' from ancient Egypt. Until locating this sample I was considering using a substitute stone from Trentino Italy, but that one was less brilliant red / purple and the white specks (phenocrysts) were less perfectly white. Since all of my other 'ingredients' were the authentic originals, using the lesser stone seemed like a compromise that shouldn't be made.















In order to make the work look authentic as the 1700 year old original pictured above, I tried to talk myself into breaking the center circle and putting it back together again. But, I kept thinking about the rarity of the stone and how I would be smashing (temporarily) something that costs so much. It was like when you are about to jump off a high-dive platform for the first time and the voice in your head is talking you out of it.

Yesterday afternoon, I carefully drew off the perfect 7" (17cm) circle, I set up my diamond saw outside with a 0.25mm (tiny) blade to avoid material loss of such a precious material. I worked intently, keeping my fingers out of harm's way (the blade is tiny and somewhat flexible since it is so thin).

The wind in Texas has gusted very strongly for the past few days. But despite the wind, about midway through one of the cuts to shape the expensive stone, a yellow jacket wasp bumped up against my leg. I tried to shoo it away with my foot, but it was not having any of that. It kept aggressively buzzing around.


















It flew at my face on a final attack dive bombing run, and I had to concentrate on not losing fingers while this happened. Jumping back, but with hands away from the blade, the stone flew off the saw table and landed on the cement where it broke into three pieces. Satisfied with the mayhem it had created, the wasp flew off happily.

I pieced back together the rare stone pieces and finished shaping the perfect center circle. Sometimes, things work out just fine, don't you know?

SAMA, Now With More Tesserae (Incontro di SAMA)

Last week I went to the SAMA conference (mosaic stuff). It turned out better than expected because they had dropped me from workshops which I had registered for months before, so the legendary 'bar of expectation' wasn't set too high. Speaking of bars, that's how my family became so wealthy you know, we invented the bar that people set on the grocery conveyers to separate sales, it's all very lucrative.

On Wednesday, I took a class on micro mosaic taught by the famous Antonella Gallenda. The entire result was only about 4cm x 4cm. I like to think of it as the 'microfilm' which Roman spies had used thousands of years ago to smuggle out important state secrets. I've seen good results from some of my friends, but really, it was a major fail for me (partly because I picked an ambitious project, a copy of the ceiling of the Sistine Chapel by Michaelangelo, and there was not enough time to finish).

On Thursday, a silent auction occurred. This is the one time I like to do my own bidding, especially when I actually win something. I've done some auctions at the DMA in which the sheets get filled up too quickly, and with entirely too many zeros at the ends of the prices.

This is the work that I was able to win, 'Texas Souvenir' by Julie Richey. It's going in a bar area on the wall with a museum quality plaque(not just precariously leaned up as it is now).













On Friday night, there was a gallery presentation at the Mexican American Cultural Center. It was closed the day before and events were cancelled. They said something about not being able to find enough workers to scrub the floors. But, the floor was absolutely sparkling for the exhibition, so hats off belatedly to MACC.














Below, someone is tickling the toes of Carol Shelkin's work. The girl depicted in the mosaic seemed to laugh at this.











Besides good rendering, Carol does a good job with tonal relationships even though the hue choices are far apart. It's one of the things that makes her work interesting to me and I'm sorry that I missed her workshop due to the evil SAMA computers.


I also saw glass flavored ice cream...

















Here is Julie Richey's 'La Corrente' behind bulletproof glass. The Declaration of Independence was over to the left of it as I recall.


















The vendor fair was great, with good selection. I backed my chariot up to the entrance and loaded it all down. I had an opportunity to speak with the lady who formulates a new glass smalti from China, imported by 'Peace, Love and Smalti' in Dallas. Or, was that 'Piece, Love and Smalti'? I'll have to check, but anyway the glass scientist really knew her stuff and it's an exciting product.

Disturbed hand drawn general presentation notes of mine will follow...

Happy new year to all! I unfortunately was reminded recently that my personal champagne consumption is not, in fact, unlimited. It was nothing that a few Advil and hours in the spa couldn't cure though.

Santa duck below was still drinking a tasty beverage while I was recovering.













A few days ago I was excited to find a book about painting for sale by one of my favorite contemporary artists, Juliette Aristides. The Classical Painting Atelier goes through the logical curriculum of the way that painting was taught before modernism and 'concept' art (Sorry Mr. Pollock, but I will never see the incoherent scribbles as art). It's been out there for a while, but I had not seen it in the store.

I'm already through four chapters, and the painting exercises are great. Juliette's book has the forward written by Mr. Ross at the Art Renewal Center (listed over there as my favorite art group for some time now). Mrs. Aristides uses very little superflous writing, it's all to the point. And many of those points are made very quickly, I've found myself rereading some sections to make sure I don't miss anything.

I need to ask if any of her students at Gage Academy have some old practice paintings of casts they wouldn't mind selling.

Artist Statement (Esposizione di Artista)

I was considering a recent question posed in a secret society website of mosaic artists of which I'm a member. The question was about the kind of typical marketing blurb you read when you go to a gallery and read about an artist whose work you are considering buying, and what if anything should be in it.



Many times, the artists throw in technical jargon that the average gallery patron won't understand. They also spend too much time comparing themselves to other artists that are maybe known a bit better. Or maybe they are a bit timid and don't sell / represent themselves well enough.


I thought I would put together a comprehensive artist statement to guide my own works; as much as to set goals and expectations as to advertise the quality of my works. I didn't want the statement to be flawed in any of the ways listed above.



So tell me what you think of my first draft here of an 'artist statement': (the mosaic group seemed to think it was spot on)

I strive to use all available methodologies and technologies of art to make unparalleled creations which will appeal to the very widest range of viewers imaginable. Even technologies that do not exist yet are effortlessly applied in the most creative manner possible with perfect efficiency of form and design. This will allow for the most lucarative and prestigious placements of my works, furthering my schemes of ubiquitous placement, licensing, and spinoffs / derivative works meticulously copied by slavish followers and carried forward for all of time.
In many cases, entire histories of civilizations will be rewritten to accomodate the grandness of my works. People will weep openly upon observing these unique creations, and other master artists will be obsessively plagued with burning questions such as 'Why couldn't I have made that?' The ultimate goal of the art is, of course, total world domination and complete mastery of everything and everyone throughout eternity.